creative /atlas/ en Interdisciplinary team receives $1.8 million for audacious robot-building project /atlas/2022/10/26/interdisciplinary-team-receives-NSF-grant-for-audacious-robot-building-project <span>Interdisciplinary team receives $1.8 million for audacious robot-building project</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2022-11-07T16:55:00-07:00" title="Monday, November 7, 2022 - 16:55">Mon, 11/07/2022 - 16:55</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/atlas/sites/default/files/styles/focal_image_wide/public/article-thumbnail/fetch-robot-for-landscape-thumb.jpg?h=ecfd34d2&amp;itok=q2upJZC5" width="1200" height="800" alt="Robot staring straight ahead at viewer"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/atlas/taxonomy/term/703"> Feature </a> <a href="/atlas/taxonomy/term/144"> News </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/atlas/taxonomy/term/394" hreflang="en">LEN</a> <a href="/atlas/taxonomy/term/1482" hreflang="en">Top10-2022</a> <a href="/atlas/taxonomy/term/1481" hreflang="en">bruns</a> <a href="/atlas/taxonomy/term/1179" hreflang="en">creative</a> <a href="/atlas/taxonomy/term/1427" hreflang="en">emergent</a> <a href="/atlas/taxonomy/term/168" hreflang="en">feature</a> <a href="/atlas/taxonomy/term/773" hreflang="en">research</a> </div> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p>The work of chemists permeates almost every aspect of modern life, from engineering life-saving vaccines and medicines to supporting industry, agriculture, material science and the&nbsp;energy sector.</p><p>Given the importance of their work, it’s a little surprising that in an age of automation, some of the most time-consuming tasks chemists perform are accomplished much as they were a century ago: Lab processes are often manual and repetitive, and they frequently require a great deal of low-level task monitoring. Efforts to change this have been limited, primarily because chemistry labs are such high-risk environments—toxic chemical exposure, fires and explosions lead to tens of thousands of injuries each year. &nbsp;&nbsp; &nbsp;</p><p>However, a team of researchers at ϳԹ was recently awarded $1.8 million by the National Science Foundation for a project,&nbsp;titled&nbsp;"Human-Robot Collaboration for the Future of Organic Synthesis," to help change this. Led by <a href="/atlas/carson-bruns" rel="nofollow">Carson Bruns</a>, assistant professor of mechanical engineering with the ATLAS Institute, the team aims to shift some of the most time-consuming tasks to robots by developing new, open-source robot software and innovative hardware designs.&nbsp;</p><p>“Our goal is to develop technology that can be the hands of the chemists,” says Bruns, “freeing them up so they can do the hard cognitive work that only people can do.” Advances in robotic chemistry assistants could help transform synthetic chemistry worldwide, accelerating progress in critical fields like biomedicine, material science, and energy production and storage.</p><p>Divided over four years, the award&nbsp;falls under the Future of Work at the Human-Technology Frontier, an NSF initiative focused on augmenting human performance by developing more sophisticated human-technology partnerships. Bruns’ principal CU-based collaborator is <a href="/cs/alessandro-roncone" rel="nofollow">Alessandro Roncone</a>, assistant professor of computer science at ϳԹ. A third partner on the project is Dan Szafir. A colleague of Bruns’ at the ATLAS Institute until Spring 2021, Szafir is now an assistant professor of computer science with the University of North Carolina Chapel Hill, where his work will be supported with&nbsp;$600,000 of the total award amount.</p><p>This isn’t Bruns’s first foray into chemistry-related automation. For the last three years, a PhD candidate&nbsp;he advises, Kailey Shara, has been developing&nbsp;a lab robot that automates repetitive chemical reactions. Her latest prototype is able to heat, cool and stir precise quantities of wet and dry reagents—technology she's commercializing with the launch of a private company, Chembotix, which won awards from ϳԹ’s New Venture Challenge (first place) and, in November 2022,&nbsp;Lab Venture Challenge.</p><p dir="ltr">&nbsp;</p><div> <div class="align-center image_style-medium_750px_50_display_size_"> <div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/atlas/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/alessandro-roncone.jpg?itok=9rVqGbhT" width="750" height="462" alt="alessandro roncone working with student in robotics lab"> </div> </div> <p class="text-align-center"><strong>Alessandro Roncone works with a student in his lab, the Human Interaction and Robotics Group.</strong></p><p dir="ltr">&nbsp;</p></div><p>Complementing Bruns’ knowledge in chemistry automation, Roncone brings critical skills to the project with expertise in human-robot interaction. Director of the Human Interaction and Robotics [HIRO] Group in the Department of Computer Science, Roncone specializes in developing robotic technologies that facilitate close, natural and extended cooperation with people.&nbsp;<br>&nbsp;</p><p dir="ltr">However, designing a robot that can operate alongside people in cluttered and crowded spaces where dangerous chemicals are present, is no small challenge. Most mobile robots currently rely on visual cues for navigation, but when objects or people obscure lines of sight, visual information has limitations. To address this issue, Roncone plans to incorporate a flexible artificial skin on the robot that is equipped with accelerometers, along with proximity and pressure sensors. “For a robot to be effective in this context, its actions must build confidence and trust,” says Roncone. “It’s not enough that it never collides with anything or anyone; people must also feel comfortable and safe working alongside it.”&nbsp;</p><p>They will be adapting a sophisticated commercial robot that was purchased in 2019 with funds from a joint proposal submitted by Szafir and Bruns. While still at ATLAS, Szafir used the robot for several studies aimed at developing software to facilitate&nbsp;robot-human collaboration: One focused on improving a robot’s ability to select specific objects in a cluttered space based on verbal cues from a human. Another was aimed at helping robots recognize active group conversations that should not be interrupted.&nbsp;Szafir’s role will be to continue this work, shaping software to achieve the team’s objectives.&nbsp;</p><p>Final confirmation for the award came through from the NSF in September. It was a moment to celebrate to be sure, and also the moment when aspirations become a concrete challenge.&nbsp;</p><p>The team begins with a deep well of relevant experience and knowledge, and their work has the potential to accelerate chemistry research in many different fields. It will also have wide-ranging impacts on similar development in other fields—a robot that is able to move around a crowded chemistry lab, performing useful tasks while safely handling dangerous chemicals will be capable of many less challenging tasks.&nbsp;</p></div> </div> </div> </div> </div> <div>Robots help build cars, fly planes, fight wars and provide healthcare; they play a role in countless industries, but for the most part, they don't work in chemistry labs. A team of ϳԹ scientists plans to change that. </div> <h2> <div class="paragraph paragraph--type--ucb-related-articles-block paragraph--view-mode--default"> <div>Off</div> </div> </h2> <div>Traditional</div> <div>0</div> <div>On</div> <div>White</div> Mon, 07 Nov 2022 23:55:00 +0000 Anonymous 4489 at /atlas Q&A with Brittney Banaei, the artist and designer-of-movement behind “Overworld” /atlas/2020/11/11/qa-brittney-banaei-artist-and-designer-movement-behind-overworld <span>Q&amp;A with Brittney Banaei, the artist and designer-of-movement behind “Overworld”</span> <span><span>Anonymous (not verified)</span></span> <span><time datetime="2020-11-11T13:37:52-07:00" title="Wednesday, November 11, 2020 - 13:37">Wed, 11/11/2020 - 13:37</time> </span> <div> <div class="imageMediaStyle focal_image_wide"> <img loading="lazy" src="/atlas/sites/default/files/styles/focal_image_wide/public/article-thumbnail/_dsc0827-2.jpg?h=8aa8707e&amp;itok=kkn-r74P" width="1200" height="800" alt="Photo from Overworld performance"> </div> </div> <div role="contentinfo" class="container ucb-article-categories" itemprop="about"> <span class="visually-hidden">Categories:</span> <div class="ucb-article-category-icon" aria-hidden="true"> <i class="fa-solid fa-folder-open"></i> </div> <a href="/atlas/taxonomy/term/144"> News </a> </div> <div role="contentinfo" class="container ucb-article-tags" itemprop="keywords"> <span class="visually-hidden">Tags:</span> <div class="ucb-article-tag-icon" aria-hidden="true"> <i class="fa-solid fa-tags"></i> </div> <a href="/atlas/taxonomy/term/1097" hreflang="en">B2</a> <a href="/atlas/taxonomy/term/1179" hreflang="en">creative</a> <a href="/atlas/taxonomy/term/168" hreflang="en">feature</a> <a href="/atlas/taxonomy/term/1095" hreflang="en">frost</a> <a href="/atlas/taxonomy/term/1127" hreflang="en">geary</a> <a href="/atlas/taxonomy/term/34" hreflang="en">news</a> </div> <div class="ucb-article-content ucb-striped-content"> <div class="container"> <div class="paragraph paragraph--type--article-content paragraph--view-mode--default 3"> <div class="ucb-article-text" itemprop="articleBody"> <div><p dir="ltr"><em>As she wraps up the second week of her residency with the B2 Center for Media, Art and Performance in the ATLAS Institute, dancer and performer Brittney Banaei and her collaborators Constance Harris and Laura Conway have completed a vivid and dynamic performance, but they will perform it without an audience. Instead, there will be cameras capturing the work from multiple angles and as soon as they have edited the footage, B2 will share it online.</em></p><p dir="ltr"><em>Banaei is the first artist since the COVID-19 shutdown to have a residency in B2, where interdisciplinary and experimental artists regularly develop and perform works that blends technology, media and science. She is an MFA candidate and instructor in the Department of Theatre and Dance, who describes her research and choreographic work as “exploring culture, history, politics and surveillance through movement of the human body.”&nbsp;</em></p><p dir="ltr"><em>She describes “Overworld,” the project she’s worked on during her residency, as an investigation of the distinction between private and public worlds and the impact of digital spaces on these concepts. The goal is to “delve into the role of visibility and observation on our daily actions and behaviors, considering who has true power in a virtual world. Observers are called to question who determines their actions and to consider their “invisibility” despite heightened external surveillance.</em></p><p dir="ltr"><em>The B2 staff are particularly excited about Banaei’s work. After the center was closed for 16 months due to a burst water line in September of 2018, they reopened in January 2020, hosting two artists before their doors were closed for the pandemic.&nbsp;</em></p><p dir="ltr"><em>With work that is compelling both in context and content, we sat down with Banaei to ask about the inspiration, process and challenges she’s encountered in the creation of “Overworld.”&nbsp;</em></p><p class="lead" dir="ltr"> </p><div class="align-left image_style-medium_750px_50_display_size_"> <div class="imageMediaStyle medium_750px_50_display_size_"> <img loading="lazy" src="/atlas/sites/default/files/styles/medium_750px_50_display_size_/public/article-image/brittney_banaei_headshot_3.jpg?itok=gGJB5N-6" width="750" height="500" alt="Brittney Banaei Headshot"> </div> </div> <strong>Can you tell us a little about your background and interests?</strong><p dir="ltr">I’m a dancer with a background in styles of the Middle East and North Africa. I’m Iranian and American and am currently interested in the effects of the 1979 Revolution and the related surveillance culture on the Iranian diasporic identity. In my scholarly pursuits, I am greatly influenced by philosophy, political science, international relations, and international law. I also like powerlifting!&nbsp;</p><p class="lead" dir="ltr"><strong>What goals did you have for this residency?</strong></p><p dir="ltr">My first and foremost goal with this residency was&nbsp;to have a positive experience building the show, and then to facilitate an environment in which we are encouraged to take care of ourselves. As an artist, I’m not hyper-focused on product or output. I am much more interested in what we can learn during the process. I’m mostly just excited to have the opportunity to make something with people I love and admire during this complicated time.&nbsp;</p><p dir="ltr">That being said, the creative goal of this particular show was&nbsp;to create a multilayered alternative universe that investigates the public/private distinction and how thos